Audio-damage Filterstation Manuel d'utilisateur

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Page 1 - Release 1.0

Filterstation User’s Guide Audio Damage, Inc. Release 1.0

Page 2

The XY control Filterstation has a handy graphical control for making rapid, sweeping adjustments to the frequency and resonance of both filters. You

Page 3 - License Agreement

Click on the symbol to choose the corresponding routing configuration: Series Parallel Stereo Note that it's not difficult to create configur

Page 4

Low-Frequency Oscillator (LFO) Filterstation has a single low-frequency oscillator (LFO) for controlling the filters. The LFO can modulate the frequen

Page 5 - Installation

LFO Amount Each filter has its own LFO AMOUNT control, which sets how much the LFO changes the filter‘s frequency. These controls have a range of -100

Page 6 - Filters: The Basics

Envelope Follower Filterstation can respond to the loudness of the incoming signal with its envelope follower. The envelope follower generates a modul

Page 7

lets you control the loudness of one instrument with another. For instance, you could use a kick drum to apply rhythmic filtering to a synthesizer, or

Page 8 - Filters One and Two

create a preset using the VST3 version of Filterstation running on Windows, and load it with the Audio Unit version of Filterstation running on OS X.

Page 9

And the preset menu looks like this: You can freely create, rename, delete, and rearrange folders and files within the preset folder. This allows you

Page 10 - Routing modes

MIDI Control Filterstation responds to incoming MIDI note-on messages. If you send a MIDI note to Filterstation, it will set the frequency of Filter 1

Page 11

The information in this document is subject to change without notice and does not represent a commitment on the part of Audio Damage, Inc. The softwar

Page 12

License Agreement BY INSTALLING THE SOFTWARE, YOU ARE CONSENTING TO BE BOUND BY THIS AGREEMENT. IF YOU DO NOT AGREE TO ALL OF THE TERMS OF THIS AGREEM

Page 13 - Rate and Host Sync

been subjected to abnormal physical or electrical stress, misuse, negligence, or accident, or (d) is used in ultrahazardous activities. DISCLAIMER. EX

Page 14 - Envelope Follower

Introduction Filterstation exists because of a simple premise: everyone needs some good filters. While filters used to be permanent parts of analog sy

Page 15 - Saturation

On Windows, the installer installs VST2.4 and VST3 versions of Filterstation by default. You can choose not to install one or the other format if you

Page 16

notch is controlled by the resonance control; a higher resonance value makes the notch narrower, cutting fewer of the frequencies. This means that, un

Page 17 - The Default Preset

Operation If you‘re at all familiar with synthesizers, either the hardware or software variety, you‘ll find Filterstation familiar. In a nutshell, Fil

Page 18 - And Finally…

4 POLE LP – Audio Damage‘s own 4-pole low-pass filter. Loosely based on the famous Moog filter, this is the one to use for overtly electronic-sounding

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